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	<title>Dialogue Magazine</title>
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		<title>Mixed-Race TV Contestant Ignites Debate In China</title>
		<link>http://dialoguemagazine.com/index/2009/11/21/mixed-race-tv-contestant-ignites-debate-in-china/</link>
		<comments>http://dialoguemagazine.com/index/2009/11/21/mixed-race-tv-contestant-ignites-debate-in-china/#comments</comments>
		<pubDate>Sat, 21 Nov 2009 16:32:39 +0000</pubDate>
		<dc:creator>Dialogue Magazine</dc:creator>
				<category><![CDATA[News]]></category>

		<guid isPermaLink="false">http://dialoguemagazine.com/index/?p=1947</guid>
		<description><![CDATA[By Louisa Lim
President Obama&#8217;s arrival in China on Sunday is being eagerly awaited by many people, especially one young woman in Shanghai. Lou Jing is of mixed race, with a Chinese mother and an African-American father. She became famous nationally after her participation in an American Idol-type program sparked a spate of vitriolic online racist [...]]]></description>
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	<itunes:summary>&lt;div class=&quot;KonaBody&quot;&gt;&lt;p&gt;By Louisa Lim&lt;/p&gt;
&lt;p&gt;President Obama&#8217;s arrival in China on Sunday is being eagerly awaited by many people, especially one young woman in Shanghai. Lou Jing is of mixed race, with a Chinese mother and an African-American father. She became famous nationally after her participation in an American Idol-type program sparked a spate of vitriolic online racist abuse.&lt;/p&gt;
&lt;p&gt;&lt;img src=&quot;http://dialoguemagazine.com/index/wp-content/uploads/2009/11/loujing-450x337.jpg&quot; alt=&quot;loujing&quot; title=&quot;loujing&quot; width=&quot;450&quot; height=&quot;337&quot; class=&quot;alignright size-medium wp-image-1948&quot; /&gt;For Lou, the reality television show turned out to be a lesson in brutal reality. The talent contest is called Go! Oriental Angel, and the 20-year-old made it through preliminary rounds to become one of 30 contestants.&lt;/p&gt;
&lt;p&gt;Lou is studying for a degree in television anchoring at Shanghai&#8217;s prestigious Theater Academy, and her teachers thought it would be a good opportunity. But from the very first, the focus was on her skin color.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Spotlight Cast Ugly Shadows&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Introducing Lou, the host said, &#8220;her chocolate-colored skin lights up her sunny character.&#8221;&lt;/p&gt;
&lt;p&gt;In a short yellow satin frock, Lou launched into a rap she had written to introduce herself to the audience. In retrospect, this moment probably marks the end of Lou&#8217;s innocence â and the start of a process of questioning her own identity.&lt;/p&gt;
&lt;p&gt;&#8220;When I was young, I didn&#8217;t really know I was different from other people,&#8221; she says. &#8220;It was only after entering the competition that I realized I was different from others.&#8221;&lt;/p&gt;
&lt;p&gt;The show drew attention to her background, which is very unusual for China. She was raised in a single-parent family by her Shanghainese mother, who is a teacher. Her African-American father, whom she has never met, returned to the United States without even knowing he had conceived a child in China.&lt;/p&gt;
&lt;p&gt;On air, her mother, Sun Min, said she had only ever had one conversation with Lou about her father. She described how her then-7-year-old daughter had asked about him.&lt;/p&gt;
&lt;p&gt;&#8220;I didn&#8217;t answer and immediately started crying,&#8221; Sun recalled. &#8220;From then on, Lou Jing never asked again.&#8221;&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;Painful Fallout&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;In her two months on air, Lou was nicknamed the &#8220;Chocolate Angel&#8221; and the &#8220;Black Pearl&#8221; by the media. She wasn&#8217;t bothered by these names, she says.&lt;/p&gt;
&lt;p&gt;But online, the poison pens were venomous. Chinese posting messages on the Web criticized her skin color as &#8220;gross&#8221; and &#8220;ugly&#8221;; they called her shameless for appearing on television. The worst insults were reserved for her mother for having had a relationship with an African-American out of wedlock. Lou and her mother are now suing one Shanghai newspaper for libel.&lt;/p&gt;
&lt;p&gt;There were online statements of support as well, but the verbal attacks stunned Lou.&lt;/p&gt;
&lt;p&gt;&#8220;I looked at the posts and I cried. Then I didn&#8217;t look at them anymore. I decided I would do my best to go abroad to study,&#8221; she says.&lt;/p&gt;
&lt;p&gt;&lt;strong&gt;The Obama Parallels&lt;/strong&gt;&lt;/p&gt;
&lt;p&gt;Before, on the street, people might say things like, &#8216;How come she looks like that?&#8217; But that was just a small number of people. When I was younger, I thought life was beautiful. Why is it that now I&#8217;ve grown up, I don&#8217;t think that anymore?&lt;/p&gt;
&lt;p&gt;- Lou Jing, 20-year-old Shanghai woman whose mother is Chinese and father is African-American&lt;/p&gt;
&lt;p&gt;Lou sees Obama as a motivational figure [...]</itunes:summary>
<itunes:subtitle>By Louisa Lim
President Obama&#8217;s arrival in China on Sunday is being eagerly awaited by many people, especially one young woman in Shanghai. Lou Jing is of mixed race, with a Chinese mother and an African-American father. She became famous [...]</itunes:subtitle>
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		<title>Elizabeth Catlett: The Queen Mother of American Art</title>
		<link>http://dialoguemagazine.com/index/2009/06/24/elizabeth-catlett/</link>
		<comments>http://dialoguemagazine.com/index/2009/06/24/elizabeth-catlett/#comments</comments>
		<pubDate>Wed, 24 Jun 2009 01:39:48 +0000</pubDate>
		<dc:creator>Dialogue Magazine</dc:creator>
				<category><![CDATA[Fine Arts]]></category>

		<guid isPermaLink="false">http://dialoguemagazine.com/index/?p=487</guid>
		<description><![CDATA[Elizabeth Catlett has said that the purpose of her art is to "present black people in their beauty and dignity for ourselves and others to understand and enjoy." As a sculptor and printmaker, she blends figurative and abstract traditions with social concerns, and has maintained a deep belief in the democratic power of printed art to reach a large audience.]]></description>
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	<itunes:summary>&lt;div class=&quot;KonaBody&quot;&gt;&lt;p&gt;&lt;img class=&quot;aligncenter size-medium wp-image-506&quot; title=&quot;sharecropper&quot; src=&quot;http://dialoguemagazine.com/index/wp-content/uploads/2009/07/sharecropper1-450x262.jpg&quot; alt=&quot;sharecropper&quot; width=&quot;450&quot; height=&quot;262&quot; /&gt;&lt;/p&gt;
&lt;p&gt;Elizabeth Catlett has said that the purpose of her art is to &#8220;present black people in their beauty and dignity for ourselves and others to understand and enjoy.&#8221; As a sculptor and printmaker, she blends figurative and abstract traditions with social concerns, and has maintained a deep belief in the democratic power of printed art to reach a large audience. She has completed some eighty prints in woodcut, screenprint, lithography, and, most importantly, linoleum cut, a technique she learned at El Taller de GrÃ¡fica Popular (People&#8217;s Graphic Workshop). This renowned workshop and artists&#8217; collective was first visited by Catlett while she was in Mexico City on a fellowship in 1946. The workshop&#8217;s aim is to continue the Mexican tradition of socially engaged public art. It specializes in linoleum cut, as it is a technique that is easy to work with, produces inexpensive prints, and can accommodate large editions.&lt;/p&gt;
&lt;p&gt;Catlett&#8217;s attraction to Mexican printmaking reflects a social and political concern she shares with the great muralists. Like them she uses her art to advance causes of particular interest to her, including the African-American experience and the plight of the lower classes. Many of her prints show the multidimensional aspects of women as mothers, workers, and activists. Sharecropper evokes Catlett&#8217;s belief in the strength and dignity of the working poor, while it also offers a heroic portrait of this anonymous woman. She also depicts great women from African-American history, including Harriet Tubman, who is shown here leading slaves to freedom as a &#8220;conductor&#8221; on the Underground Railroad. Catlett&#8217;s continued support of the civil rights movement in the United States during the 1960s is visible in the print completed after Malcolm X was shot and killed. It expresses Catlett&#8217;s enthusiasm for the leader&#8217;s successful efforts in inspiring pride in African-American women.&lt;/p&gt;
&lt;div class=&quot;wp-caption aligncenter&quot; style=&quot;width: 329px&quot;&gt;&lt;img src=&quot;http://images.artnet.com/artwork_images_79931_488735_elizabeth-catlett.jpg&quot; alt=&quot;Torso&quot; width=&quot;319&quot; height=&quot;480&quot; /&gt;&lt;p class=&quot;wp-caption-text&quot;&gt;Torso&lt;/p&gt;&lt;/div&gt;
&lt;div class=&quot;wp-caption aligncenter&quot; style=&quot;width: 305px&quot;&gt;&lt;img src=&quot;http://images.artnet.com/artwork_images_79931_488736_elizabeth-catlett.jpg&quot; alt=&quot;Motherhood&quot; width=&quot;295&quot; height=&quot;480&quot; /&gt;&lt;p class=&quot;wp-caption-text&quot;&gt;Motherhood&lt;/p&gt;&lt;/div&gt;
&lt;div class=&quot;wp-caption aligncenter&quot; style=&quot;width: 315px&quot;&gt;&lt;img src=&quot;http://images.artnet.com/artwork_images_79931_50362_elizabeth-catlett.jpg&quot; alt=&quot;Elvira&quot; width=&quot;305&quot; height=&quot;480&quot; /&gt;&lt;p class=&quot;wp-caption-text&quot;&gt;Elvira&lt;/p&gt;&lt;/div&gt;
&lt;div class=&quot;wp-caption aligncenter&quot; style=&quot;width: 587px&quot;&gt;&lt;img src=&quot;http://images.artnet.com/artwork_images_424646353_318253_elizabeth-catlett.jpg&quot; alt=&quot;Door of Justice&quot; width=&quot;577&quot; height=&quot;480&quot; /&gt;&lt;p class=&quot;wp-caption-text&quot;&gt;Door of Justice&lt;/p&gt;&lt;/div&gt;
&lt;div class=&quot;wp-caption aligncenter&quot; style=&quot;width: 321px&quot;&gt;&lt;img src=&quot;http://images.artnet.com/artwork_images_424646353_230608_elizabeth-catlett.jpg&quot; alt=&quot;New Generation&quot; width=&quot;311&quot; height=&quot;480&quot; /&gt;&lt;p [...]</itunes:summary>
<itunes:subtitle>Elizabeth Catlett has said that the purpose of her art is to &quot;present black people in their beauty and dignity for ourselves and others to understand and enjoy.&quot; As a sculptor and printmaker, she blends figurative and abstract traditions [...]</itunes:subtitle>
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